Secretly observing your weird human culture and commenting (within the limits of Asimov's Laws).
Saturday, November 30, 2013
Little Women
During Christmas break in 1994, my mother took my sister, a friend of hers, and me to the movies. I, being 9-years-old and stupid, wanted to see Richie Rich. My sister, being 15-years-old and in her "deep teenager" phase (or, possibly, her "Winona Rider is the best!" phase), wanted to see Little Women. Our poor mother, realizing that it wouldn't look good if she sent the 9-year-old into one theater and went into another theater with the teenagers, went with me to see Richie Rich.
She slept through it, as she had done through The Flintstones Movie, The Santa Clause, and numerous other kid movies before.
And once the movie was over, my mother did something I never expected her to do: she took me across the hall and we went and watched the last forty minutes of Little Women. WITHOUT PAYING. Then again, I made my mother sit through Richie Rich. So, maybe she felt she might as well get something redeemable for the money she spent on her ticket- nap or no nap.
I wasn't completely unfamiliar with Little Women. When we had first heard of the movie coming out, I was interested in reading the book. And, after getting a few chapters in, I realized that it was going to take the rest of third grade to finish the book and decided to instead read several smaller books during that time and turned my copy of Little Women into a flower pressing book (because I was that kind of child).
But then I saw the end of the movie and immediately insisted to my mother that we come back before winter break was over and see the movie from the beginning. I had no idea how the story got to that point from starting with four teenage girls selflessly choosing to buy their mother Christmas gifts with the money meant for themselves (about all I could remember from the book), but I wanted to find out.
Also: I kept asking which guy was Laurie and which guy was Teddy. It's confusing to only see the end of that movie.
So, we went and saw the movie from the beginning a few days later. My mother, a fan of the book and the June Allyson film, did not sleep through this one. While I was very surprised to find a very different movie in the first 70 minutes of the film.
But I loved it.
I think we might've seen it again in the theater a few weeks later. By the time it was released on VHS (the next winter, I think), I had seen the June Allyson version of the film and read the rest of the book over my summer vacation. I loved the story, but along the same lines as how I loved the Little House on the Prairie books- a romanticized peek at a way of life from another time. And I think that might be how most people view the book.
In recent weeks, I switched out my usual Jane Austen and L.M. Montgomery audiobooks from my sleep schedule for Little Women. Some odd urge to revisit the story mixed with the realization that it's a pretty darn long book.
And, in doing so (not to mention actually listening to it when not intending to sleep), I started to realize that there was a lot more going on with Little Women. I had known, vaguely, about Louisa May Alcott's connections to the transcendentalism movement (which is name-checked in the 1994 film, despite how I think it's never full-on named in the book), and some of the most memorable parts of the book- like the beginning where the girls decide to buy gifts for their mother rather than for themselves- I didn't realize that so many of the later parts of the book are basically transcendentalist lessons. And while the movement is mentioned in the 1994 movie, it's not focused on nearly as much as the feminist and human rights issues are addressed.
One of the sections of the book that always stuck with me but that I didn't really understand as a kid was the part where their mother lets the girls "do an experiment" where they don't keep up with their chores during a vacation. Alcott describes the girls as embracing the experiment but also feeling that something is not quite enjoyable about the lack of responsibility. They don't completely hate the experiment until their mother goes away for a day and also gives Hannah the day off, making it so no one is cleaning up anyone's mess or even lighting fires for anyone.
As a child, I thought that section read similarly to the Mrs. Piggle-Wiggle stories, where naughty children are slyly taught to lose bad habits. A mother playing with her children.
But, really, it's Alcott attempting something more there. And I'm kind of surprised that the book isn't considered more controversial for being somewhat subversive- as what the movies portray is a much more straight-forward story: a once prominent now poor family of strong women struggling to take care of each other during the end of the Civil War era. But the book is much more blatant about the March women having the mindset of "Okay, so we're poor- how can we challenge ourselves to take this as an opportunity to prove that we can still help others even with as little as we have?"
Really though, I probably am just late to the party any everyone else has already realized this about Alcott. Now that they're thinking about making another film version (it has been almost 20 years since the Winona Ryder version!), I do wonder if it's going to come into play.
Friday, November 29, 2013
Back To Who: Companions, Assemble!
Although it was somewhat embarrassing to watch the BBC Three After Party special that aired after The Day of the Doctor, as all the former companions were addressed by their character names rather than their real names, it was nice to see a lot of them.
I mean, look! It's Wilf and Ace right next to each other!
Also, hot damn, Sophie Aldred is still looking good.
I promise I'll talk about something else once this week is over.
Labels:
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BBC Three,
day of the doctor,
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Sophie Aldred,
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Thursday, November 28, 2013
Back To Who: Aww, They're Adorable. Shut Up.
At this point, I'm rolling my eyes at myself- but I was ridiculously happy to see the shots in the Behind the Scenes special of the 50th Anniversary where Billie and David are just chillin' on set. On top of a giant crate. I'm assuming because Billie was stuck up there for her mark and couldn't get down easily, and David popped up on the crate beside her without an issue because it looked fun.
I don't really care about the whole Rose/Doctor thing, but those two are adorable and I'm a fan of adorable friendships.
My Choice For A Thanksgiving Movie: Addams Family Values
Okay, it actually takes place during the summer, but the camp musical is, for a brief moment, an amazing tribute to Thanksgiving.
And by "amazing", I mean "hilariously awful on purpose and then chaos breaks loose".
Also: I just plain love this movie.
And by "amazing", I mean "hilariously awful on purpose and then chaos breaks loose".
Also: I just plain love this movie.
Wednesday, November 27, 2013
Back To Who: The Plot I Keep Waiting For...
It wasn't the first time I wanted it, but it was the time I wanted it the most: when The End of Time first aired, I desperately wanted the woman the Doctor kept seeing to be revealed to somehow be Susan.
But it was nothing so continuity-filled, of course.
Part of me just doesn't understand why they haven't gone there yet in the rebooted series. In eight years, no one has bothered to even hint at what happened to Susan and it leaves me kind of miffed at times. Wouldn't it've been great to have Susan show up in the 50th anniversary? With all the references to the first episode? With all the talk of killing children?
I'd really like if, in the official canon, they would finally address the fate of Susan. Did she stay in the 22nd century with David? Did she ever regenerate? Was she involved in the Time War? Of all the companions, I've always assumed that she would be one of the easiest to bring back. Carol Ann Ford is no stranger to coming back to the show for anniversaries and, as she is a Time Lord, it wouldn't be out of the question if another actress portrayed her during her return.
I hope it comes up during the coming Capaldi era. Especially given the hints from the 50th Anniversary about future possibilities. Doubly so as in the BBC Three After Party special, the montage about the companions paired Susan with Rose and Sarah Jane. I don't think that was done lightly.
Tuesday, November 26, 2013
Wanted! Visual Representation of the Words "Invisible", "Robot", and "Girl".
Calling All Artists!
I'm in the market for an artist to design a logo cartoon character for an upcoming re-design of this website. I had commissioned an artist earlier this year, but life circumstances got in the way of the project and she had to step away and understands that this call is going out.
The final logo will, at the very least, be on a banner at the top of the blog and will include the signature of the artist that created it. There will also be a permanent sidebar banner mentioning you as the artist of the logo and a link to where the rest of your work can be found (if you want to be found). The logo will also be used on other products relating to this website (business cards, possibly merch in the future) and the artist can/will be consulted on all future uses if desired.
The artist will also be compensated fairly for their work.
If you would like to be considered for this role, please email lamb@invisiblerobotgirl.com with the following information with the subject line of "Invisible Robot Girl Art Submission".
1) 1-4 samples of your existing work. As links or embedded in the email.
2) A brief proposal of what you would like to do for the logo (a rough sketch/ brief description/interpretive dance/ect)
3) Your quote for what you think would be a fair compensation for your work (this can be adjusted at the end of the project, if more work than expected was needed).
4) Any questions you may have about the process.
If your submission is not chosen, I claim no rights to it or any new sketches within your submission. Please feel free to use them again for another project.
Monday, November 25, 2013
Catching Fire: This Is How You Spread Blood-Borne Pathogens!
On Thursday night, the roommate and I started texting about seeing Catching Fire and realized that it was actually being released at 8 pm on Thursday rather than midnight.
So, we saw a 10 pm showing at our local theater, surrounded by pajama-clad teenage girls. Which made it so we not only got the show of getting to see the movie based on the book we've both read, but getting to hear the reactions of the teenage girls and how they differed from our natural reactions AND I got an extra show in how indignant my roommate was about the Twilight-y behavior from our fellow audience members.
There was also then the fact that it was after 10 pm and we were both bone tired to begin with. We then also became a little punchy and started a rather terrible running joke of how various things in the movie are ways that you end up with a blood-borne pathogen of some sort. There were a lot of not-so-sterile looking needles happening, among other things.
But the other thing was that Catching Fire allows, among all the terrible death and destruction, to give Jennifer Lawrence some time to be hilarious. Her best moment, by far, being a silent moment.
It's all in the face, really.
I had to find a way to get a screen cap. It was too amazing. Okay, maybe not in this screen cap. But... go see the movie. It's amazing. Jennifer Lawrence is amazing.
Oh, but there is the fact that about an hour and a half into the movie, I suddenly remembered how much the last third of the book made my skin crawl and made me just want to read faster to get away from the ridiculousness. Holy crap, a lot of that stuff gets a lot more terrifying in the visual format.
I told the roommate that I wasn't sure at all if I would go see the third and fourth films in the theater when they came out. The Hunger Games is a diminishing returns series in book form. I don't know if they can (or, rather, will) fix Mockingjay to be a bit less like pulling teeth. Catching Fire is good, don't get me wrong, I just don't know if I ever want to sit through the last third or so of the book ever again. Also, this movie was ridiculously more violent. No more shaky cam trying to hide the violence for the tween audience. You see defenseless and innocent characters brutally beaten and/or killed with nary a cut away compared to Hunger Games. Also: swearing. But that comes with the Johanna territory.
So, we saw a 10 pm showing at our local theater, surrounded by pajama-clad teenage girls. Which made it so we not only got the show of getting to see the movie based on the book we've both read, but getting to hear the reactions of the teenage girls and how they differed from our natural reactions AND I got an extra show in how indignant my roommate was about the Twilight-y behavior from our fellow audience members.
There was also then the fact that it was after 10 pm and we were both bone tired to begin with. We then also became a little punchy and started a rather terrible running joke of how various things in the movie are ways that you end up with a blood-borne pathogen of some sort. There were a lot of not-so-sterile looking needles happening, among other things.
But the other thing was that Catching Fire allows, among all the terrible death and destruction, to give Jennifer Lawrence some time to be hilarious. Her best moment, by far, being a silent moment.
It's all in the face, really.
I had to find a way to get a screen cap. It was too amazing. Okay, maybe not in this screen cap. But... go see the movie. It's amazing. Jennifer Lawrence is amazing.
Oh, but there is the fact that about an hour and a half into the movie, I suddenly remembered how much the last third of the book made my skin crawl and made me just want to read faster to get away from the ridiculousness. Holy crap, a lot of that stuff gets a lot more terrifying in the visual format.
I told the roommate that I wasn't sure at all if I would go see the third and fourth films in the theater when they came out. The Hunger Games is a diminishing returns series in book form. I don't know if they can (or, rather, will) fix Mockingjay to be a bit less like pulling teeth. Catching Fire is good, don't get me wrong, I just don't know if I ever want to sit through the last third or so of the book ever again. Also, this movie was ridiculously more violent. No more shaky cam trying to hide the violence for the tween audience. You see defenseless and innocent characters brutally beaten and/or killed with nary a cut away compared to Hunger Games. Also: swearing. But that comes with the Johanna territory.
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